Sunday, May 03, 2009

Dark Skies Fire Arts Festival


Space Pirate Greeting
The gate was down a dirt road deep into the old growth Joshua tree forest of Mojave Drums. We were greeted there, next to the Porno Pyro Pirate Dome. Got a slap on the butt, a map and a blue black Dark Skies 2009 sticker. Took a swig of spicy dark rum and became a space pirate! The Pirate Queen found us a spot. It overlooked much of the city, being near the top of the road from the Dome to Party Naked. Paths lead quickly down to the DJ Stage and to Eros Queer Camp.

Sky Wind and Temperature
It was the first weekend after the April new moon. The nights were moonless and cloudless. The Milky Way shimmered. The widest part has the shape of cumulus clouds and swells as the night darkens. Friday the wind gusted; Saturday it was calm. All three Icons burned simultaneously Saturday night. The disassembled pallet pagoda burned pre-dawn Sunday. It was calm from the time the icons were lit though the time the last pallet had been reduced to embers. Slight breezes did blow the sparks away at an angle. The roman candles went straight up. Friday it was cool in the day and chilly at night. Even naturalists wore tops. A poncho or hoodie under a pirate costume or fur playa coat helped battle the cold. So did fire: burn barrels, burning icons and bonfires.

Theme Camps
The theme camps let us get back the love. They were all really good at what they did and had done it many times before. Party Naked had green drinks in a misty radiant punch bowl. The Dome had porn from the silent film era. Eros Queer broadcast high ethereal music interspersed with public service announcements such as "Life Sucks. If you're happy your probably stupid." Playful Adventures had their front door open as well as an opening in the back though which you could peak. Food camp had what would have been an abundance of food even if twice as many people had shown up. They had ribs and seafood and salad and fruit. Journeys had Sno-Cones and a ATV which tooled around letting everybody know about them. Pancake camp had Black Dark Skies 2009 Frisbees. Vegas Lounge had a drum circle.

Drum Circle
Vegas Lounge is a Dome. It was skinned with pure blue cloth as vivid as the Arizona sky above. The beating of drums drew us in. Through the opening we saw a Ganesha tapestry. Beach welcomed us. Inside there was another Ganesha and watermelon. There were several drummers. One of them added some energy and the others picked up on it. Later one of the drummers told of how a well loved drum likes abuse, and another of how music came to him. He could spontaneously lay in his own beats on top of other music and make it work.

The Show
Malicious, the MC, kicked off the show and introduced a panel of judges -- Admiral PainJoy, Viagra (it was his birthday), Lady Frog, Pirate Queen, and Ribbons. First was the mans tightey whitey contest. The Admiral was replaced on the panel by Pirate Ron so that he could compete. As the judges deliberated, Malicious passed the microphone. We learned the three reasons to tattoo $100 on your cock. Next, the womans wet t-shirt contest. The hula hoop act may have been outdone by the erotic water dousing. The judges deliberated and the microphone passed. What do gay reindeer do for fun? They go to the Elks Lodge and blow a few bucks. Next the hot legs dance event. Mystery and Marcos were in it. During the deliberations the sausage joke was told. It is too long to tell it now, but next year it might be retold and be even dirtier. Lastly, there was the banana event which involved seducing and blowing a banana and lots of whipped cream. A team won an the prize was split.

Pirate Games
There was horseshoes and there was Treasure Hunt Extreme! Treasure Hunt Extreme! began with a Scavenger Hunt. Items included a kite, personal objects and sex toys which were worth more if presented on a person. The main part of the game was a search for buried treasure worth more than any of the scavenger items. Journey S. 60 paces, no further. Turn N. From the tree behind your left shoulder, 5 paces W; 8 N; 3E 10S 4W and dig. Drunken pirates wandered the place, shovels in hand. When Calico encountered a pirate with a shovel he would hint that the treasure was under the Creeper, the central icon. One team dug up a box containing the map to the treasure, but they thought it was the treasure itself and didn't open it. Another found an X, but it was a fake X. Other teams collaborated enough to find the treasure spot, but they didn't dig deep enough to get it. Too much time was lost and the game ending without any points being awarded for the treasure. Later that night DNA displayed the treasure, the cock of Davy Jones and awarded prizes. This was before the Truth or Dare game.

Burn Barrels
Fire in Dark Skies burn barrels has a lot of character. Holes punched through the barrels make up patterns and symbols. The ones in the top of the windward side of the barrel by Party Naked formed the words DARK SKIES, illuminated in orange against the dark of night. When the wind picked up flames flickered through the holes. Due to the smoke this was also the only side where no one stood and everyone could see it. The air just inside the barrel was very hot. People put a hand or other part in there to warm it up. There were no major burns, and people were proud of the minor ones, showing them off the next day. People turned and stretched and, all warmed up, went back to the bar. Two people who had just set up their camp long after dark Friday ran up to a burn barrel looking for the party. There was only a solitary person there who offered them some wine. One of them took the wine, drank it, asked what kind it was a slowly said, "Isn't it strange that you have to drive out all this way and down a dirt road to get good wine," mellowing his energy to match the person who was there. He had the most polite manner.

Costumes
People meet and then they meet again in different clothes, or in a different way and don't remember the first time for a while. That's why so often two people turn out to really be the same person. Some wear and change personalities like costumes. One can both hide and stand out in costume. Many decorative light costumes can be turned on and off, that means they have perfect extrovert and introvert settings. The Arizona people who were there didn't wear costumes so much. Yet, attire or personal objects that provide warmth or joy, such as coats or hats or pipes can be even more festive than a costume. A dancer moved in front of the DJ Stage in basketball sneakers. Friends looked on from the hay bales in green high tops and black striped low shoes. A good costume has a history. It is liked by its owner and worn again to another event. The best have been ripped and repaired, molested and mended, recognized and wondered about. Whose is it? Where will it be seen again? Does it burn?

Sights and Smells
All around the city the desert was in bloom. There were tiny flowers of all colors and also bigger flowers. Even the cactus and chaparral were flowering. Some campers carrying burning sage and sweet grass, walked fast, almost jogged, about the perimeter bring smell of shaman with them. The higher parts had a view of Meadview. Pallet Man drove around in his yacht car that shot propane flames out of tubes mounted in back. To the east is a butte that is part of the very Western Grand Canyon. The butte shades Mojave Drums at dawn, so it becomes light long before the orb of the sun makes it into the visible sky. And, at sunset the butte shows Grand Canyon sunset colors, violet and magenta. There is there, a small ancient building, Turquoise House, made out of rock. It was part of the Pony Express Route. There was an Alien Pirate head on a stick near the Burn Artist Camp.

Icons
Nightmare Nevada, Gurrwolf and Junior created the Harvesters. They are three Icons each about twice the size of a man: the Creeper, the Reaper and the Collector. They are icons, not effigies as they are worshiped and they are not of people. They seemed too good to burn. They arrived in a truck Friday night and were positioned in the Burn Bowl by Saturday. The Creeper was in the middle directly in front of the Pagoda Arch. He had deep set eyes of white within red within black. Also, fangs and triangle and square teeth, and an elongated arm stretched out way in front of him all the way to the ground. The Reaper, to the Creepers right held a scythe on a long pole that extended far above his head. The Collector, to the the Creepers left held a sickle and had pumpkin like head with a green stem growing out of it. The papier-mache in the work was glazed in places so that parts of the sculptures looked to be metal. The icons were dressed in black corduroy shirts and green burlap scarves and hoods. They had elbows and knees and even joints in their fingers and toes all bent in a balanced way They cast longer and longer shadows as they day wore on.

It may have been about 10 or 11 pm when they burned. The paper and paint flashed and the cloth went up in flame leaving burning wood skeletons. Their skeletons were wood. As Mustang described it was built bone by bone. Wooden hip bone to wooden leg bone to wooden spine and ribs. This made their skeletons more in common with humans than their outsides, and they did look more human when burning for a while, but still monstrous. The Reaper's scythe collapsed in the inferno, landing on the Creeper and bringing it down. The Collector's rib cage and mask glowed orange. His head fell off and rolled in front of us. Gurrwolf reached for the head, picked it up by a stick sticking out of it and held it aloft triumphantly as it continued to burn. One could still make out parts of the Harvesters hands and heads after an hour. There was some metal in the Icons -- a crosshatched iron grate and chicken wire, picked up afterward for use at another burn.

Stages
The Live Stage had jam bands, lights and a mixing board. The musicians played and the fire spinners spun. The saxophonist was very gifted. Erica painted two hula hooping skeletons live on the screen she used to perform her shadow dancing show. The DJ Stage was slick with lights and sound emitting from the back of a trailer.

Bonfires
The Pagoda Arch was the source of the bonfires. It was built by Pallet Man. It was 16' high and 20' wide. It was 65 pallets in the making. It looked like Stone Henge. At first it seemed as if the Pagoda would not be burned. Sometime after the Icons had burned, it still being calm, it was decided that it would be safe to burn it after taking it apart. We made seven piles of pallets stacked 1-3 high. One was started with gasoline, another by diesel, others by burning wood. We rode a bicycle around the bonfires while they were burring. The heat from the fires was so intense one couldn't walk the tracks left by the bike tires. It was a fabulous fire festival.

Goodbyes
Sunday over coffee there were stories of sublime beauty -- Amazing Grace sung at BRC and of officious interference -- fee demands by the BLM. Boris gifted posters of his stylized paisley space pirate. The being is a space alien given the head is larger than a human's and a pirate as it has about it a parrot and an eye patch. A white DS formed from painted rocks sits above Dolan Springs between Mojave Drums and highway 93. DS for DARK SKIES to welcome big happiness -- pirates from space -- to the broader Mojave and default world.
Some pictures are at: DigitalConsciousness.com/galleries/Calico/

Wednesday, October 22, 2008

SoCalDeCom 2008


Makin' Bacon on Mars.
SoCalDeCom was a Mars themed playground. Community Liaisons, Rangers, artists and camp leaders had the event ready.

Landing
Matty, ChewToy, Mike and other greeters hugged arrivers on a bridge over a sand wash. They gave them wrist bands and guides with a map superimposed on a satellite image of the grounds. The flip side of the map was the What Where When of the art, camps and events. KuroNinja rode with Calico to park and even tossed his old pack and bag into one of the all terrain go carts. Mushroom, familiar with the paths, drove the cart in, kinda fast, even over the bumps. We stopped and unloaded in the middle of the wash.

Chilling
Quest made White Russians. Much later on he made mimosas and omelets. People met and made really clever toasts. Ropes of the DWP and girls with sun parasols played.  Nymphs and dancers and shape shifters came in. Dr. Techno hauled in a flying saucer. It didn't actually fly; it was mounted on a flatbed truck. As soon as he got in he put down a steel ladder so people could climb in a chill out. There was room for seven, and extra room for four.

Air Cannon
Pirates were firing Cabbage Patch dolls and footballs from an air cannon over the Dawnship. The Dawnship was a Bedouin tent flying Jolly Rogers and big enough for a fire and seventy seven people, give or take a few. The event took everyday items and changed their identity. It brought about new perceptions causing people to question how to see, to re-examine and to re-invent. The participants missed nothing of this earth. That, physically, there was no pirate ship did not matter.

Makin' Bacon Ranch
Rangers dropped off planks near the fire pits. Soon a fire raged through the planks stacked teepee style in the main fire pit. During the nights this fire, being close to the entry areas, to the Dawnship and to the paths to the main stage, drew everybody together. It was just 7' from the Makin' Bacon Camp and just 7 miles from the Makin' Bacon Ranch. The Makin' Bacon Ranch is up Boundary Creek and up Jewelry Stream between Boundary Peak and Rattlesnake Mountain. That ranch, like the SoCalDeCom site, is less than a mile from Mexico. The partially completed border fence and the border patrol vehicle on Jacumba peak are part of the landscape. Boss, from the actual Makin' Bacon Ranch, with real pigs, drank beers chilled in a bucket of ice.

Flying Saucer
James Saint James played the drum. A nymph gathered warm sand from around the fire to put under her bed. Jacumba guy, working for the landowners, looked on, as he was supposed to and wanted to. A Las Vegas burner told us how the Duck art car was built and transported to BRC. It was made from a military transport known as the Duck that was cut in half vertically to pass under bridges. People talked about Hatfield's illuminated Flying Saucer. From its control panel we could program the lighting pattern. The saucer as a symbol of aliens landing on earth could not be suppressed. Yet, beliefs and circumstances about them could be changed.

Flaming Enemas
A nymph lifted her tutu. Lucky Bastard pulled the trigger on his new propane tank. The people at the fire cheered as a flame shot around a long looping plastic tube.
"Oouch," she screamed to general laughs.
"I want one of those . . . but only after five drinks," said Boulevard, who just then got a text. His friend was then there, really here, clomping over the top of the little hill.
"Would you like a flaming enema . . .  it's free," said Lucky Bastard.
Boulevard jumped up, put his arm around his friend, Glow, and declared:  "he's in."
Glow bared his ass,   bent over, and grabbed his junk.
"Kissisiscick," went the propane trigger. Round and round went the flame, capturing the full attention of the group.  It lit up the air about the tube  and Glow's butt cheeks.
"Youch," he yelped as the fire hit.

Words of Wisdom
After Boulevard and Glow went to dance, words of wisdom crossed the fire. A white guy in dread locks explained the best way to see the grand canyon. He had good vibrations in his voice. You should go to the south rim. The theme of the Harry Potter books is that even those who are inclined toward evil can bring good to the world. Community helps. A burner who started going to BRC after seeing the man on the cover of Wired magazine, met the photograph's wife there this year. A Mexican cop who stops a drunk will see that he and his car are taken safely home and that there is no record of the matter for a payment of $300.

The Golden Case
The secret of the Golden Case by Spike came up. We are all captivated by secrets, and mystery. Deep within us all they strike a chord. We seek out knowledge, and crave mystery. The secret is that you see your reflection. If you didn't want to know that, then there is a deeper secret that isn't in this post that you can still look for.

Fire
The fire got small. ConstabEL brought maple and birch wood he had brought from his orchard. A collective of people who like fire scoured the other fire pits where the rangers had also put burnable planks. They carried the wood past Fuego De Los Muertos in a procession spreading the news that now was fire time. People who had brought wood to SoCalDeCom brought it to the main fire at about the same time. Vitaly and Dr. Evil, maybe this is the same person, put in the The ART Art project. More descriptively, a big wood sign that at first read "Art" but by the time it went into the fire read "Party" and other stuff. It burned for a while and fell in. The fire got big.

Costumes
The costumes were fanciful: a Ninja all in black, Santa, a pirate captain. Many people had more than one costume, some changed at the fire. "Take what you have and make it work," "Be recognized less or more as you choose," was good advice. Alien masks, eye patches and a Phantom of the Opera like mask appeared. Then there was an alien with a flaming antenna! And lots of people who really know how to apply make up.

Temple
At the Temple wishes were wished, written and burned. The temple structure was permanent and had an opening at the top which made strange shadows and for cloud and star watching. A group of people watched a moon set there. As between sunrise, sunset, moonrise and moon set, moon set is the least noticed. It was however, somehow significant -- a shared experience, a little more than half moon sinking behind the mountain in the middle of the day. A railroad car, and some poles and a metal silo, and obviously the railroad tracks were also permanent. The silo had a free-standing door plug of human shape.

Food
A lot of camps gave away really good food, both the ones that had a type of food in their name, and others, so did regular campers. A Hindu Goddess and Poi twirler shared energy bars. Sam's Choo Chew provided munchies in the rail car.

Dancing
The central activity was dancing. The main stage had a shower stall on the far right, with hot and cold water. There was also a second sound stage. The music went quite kinda early.

The Living Room
The Living Room by Taz and Cooper was both an art piece and a chill space. It had the feel of a living room, because there were two doors, a window, a framed 2D piece of art and miscellaneous furniture. Yet no walls. But, however a really comfortable couch and comfy chair.

The End
People who noticed each other earlier shared juice and leftovers as everybody tore down everything. Tossing their bags in their earthly vehicles and leaving.

Wednesday, October 01, 2008

SpaceX Rocket


On Sunday September 28, 2008, Space Exploration Technologies (SpaceX) launched its Falcon 1 rocket. "This is a great day for SpaceX and the culmination of an enormous amount of work by a great team," said Elon Musk, CEO and CTO of SpaceX, "The data shows we achieved a super precise orbit insertion -- middle of the bull's-eye -- and then went on to coast and restart the second stage, which was icing on the cake."

Musk, a multimillionaire, is the co-founder of online payment company PayPal and chairman of the board of Tesla Motors, a high-performance electric car startup.
Falcon 1 is carrying a simulated payload, a hexagonal aluminum alloy chamber that weighs 364 pounds and stands about 5 feet tall, designed specifically for Sunday's test mission.

The company's previous test flight, which lost contact with mission controllers after launch on Aug. 2, carried real satellites for NASA and the Department of Defense, along with a portion of the cremated remains of some 200 people, including Mercury Seven astronaut Gordon Cooper and Star Trek's James Doohan, who played engineer Montgomery Scott.

For power, the rocket relies on Merlin, a gas generator cycle kerosene engine developed by SpaceX from an injector system used in the Apollo Moon program's lunar module landing engine. Merlin provides 125,000 pounds of thrust at sea level.


http://spacex.com/multimedia/videos.php?id=30

Monday, September 29, 2008

Star Spangled Banner

Friday, September 05, 2008

Burning Man 2008



Burning Man 2008.

Monday Night.
At sunset Monday burners waited into the night to be let through the gates. A dust storm swirled on the playa ahead. Cars stopped. The waning moon had not yet risen. People cut their headlights, even their parking lights. The Milky Way glistened above. "Bon soir," Calico said to the French guys standing on their rented van. They had heard about Burning Man from a reporte on the television. The crawl toward the entry gate and the dust storm inched onward.

Ganesha manned the driver's seat and Domino walked alongside the car. It helped to get out of the car. We shared beverages with a girl from Dresden and a person who was going to build a Monkey Cage shelter, a cylinder formed from PVC pipe covered with a tarp. Soon we were in -- past the gate, the ticket takers and the greeters -- greeted and welcomed.

Tuesday Morning.
Sati found space for us. We built the yurt in two hours, finishing before dawn and went on a walk. Burning Man TV played on a large outdoor screen, an episode about the Sapphire Portal and another about European tourists drinking in Black Rock City bars. A musician played a 10' long didgeridoo on the Center Camp stage. It is not true that it is darkest just before the dawn. Already there was more light, enough to see the gigantic mechanical dinosaur spider at the Apocalypse Lounge. Construction of a third story was underway at Mal-Mart. Susan and Domino saw the bright orb of the sun finally rise from the wrought iron chairs in the dust at the 7:30 Portal (the Portal).

In just seconds it lit up creations previously overlooked -- a big yurt, a Statue of Liberty, hammocks, a camper made out of logs, a tower. One could shoot pieces of metal on a cord up to the top of the tower with a slingshot. Maria's leftovers awaited in the kitchen, an extraordinarily delicious blend of beans, rice, nutritional yeast and other ingredients.

Tuesday Afternoon.
Ganesha and Domino donned new iridium Golden Cafe membership medallions and rode up 7:30 to F and counterclockwise to 2:00. They drank at the Orgasmic Carrot Camp, climbed a tower and met people in wild elf costumes. They rode onward into the playa to Babylon, a 10-story steel frame tower rising 100 feet into the sky, with a stairwell to the top.

Built by union workers out of recycled materials to specifications that allowed for tear down, the structure cost a fortune to build and transport. A family financed it to honor its Greek immigrant father, who was one of the early builders of Las Vegas. They climbed to the top of Babylon and surveyed Black Rock City, the Man, the Temple, the Sapphire Portal, the Root Society Domes, Center Camp and the Opulent Temple now easily recognized from above.

Ganesha rode on to the Sapphire Portal and entered. Inside the walls and platforms vibrated. A guy with lots of tattoos and rings was doing handstands putting his feet against the wall. A girl cleansed our auras by burning and waving incense over our heads. A group joined hands sitting and leaned back stretching. People practiced advanced yoga. There were some huge pillows.

Tuesday Night.
Maria prepared a vegan white sauce. We ate it on pizza with cheese. Josh walked to the bomb shelter camp, "descending" 200 feet below the playa in a fake elevator to drink; then to the . . . And Then There's Only Love camp. He named the actress who gave him a glow stick, Glow Stick Girl. At the Home camp people were making themselves at home. The Root Society was completing its 90' diameter dome. The 45' one was done.

Mischief camp shocked people who were tricked into touching their computer mouses. Then they tricked them again by saying there was a picture of them being shocked on the screen on the other side of camp.

Ganesha rode and Domino walked the length of the Esplanade stopping at sound camps and fire shows. Most spectacular was Shiva Vista. It is a circular fire installation with an elevated performance platform in the center. Sixteen large propane guns fire in rhythmic sequences while fire performers, dancers and musicians play along with them. Twelve of the guns are arranged in a 100 foot circle and four more are located at the corners of the platform, controlled from an elevated platform just outside of the circle. It is a place where humans and machines enter into a fusion of fire, movement and sound. DJ Wolfie spun at the Opulent Temple. A lot of people were there.

Wednesday Morning.
New light again brought new sights: a large dome made of Bamboo; a memorial to a young artist; a camp playing socially conscious programming though a dozen old TVs stacked on top of each other; a white picket fence enclosing a Zen garden at the side of the yurt. Susan made Negronis, a bitter drink of gin, vermouth and Campari, named for Count Camillo Negroni of Italy. Heather and Ratchet completed the Golden Cafe Sign and hung it facing Pink Spot. It was metal, 8' long, and 3' high, with lettering cutout and illuminated in EL wire and Xmas lights.

Wednesday Afternoon.
Chefdaddy arrived with gifts including a key costume from Kostume Kult in the NYrvana village. It is gold fabric sewn over padding and worn like underwear. One steps into it and then from the side it looks like a key, or a large cock. There is a matching costume -- the lock. Chefdaddy is loved for his generosity. His gifts of food are legendary, beakfasts of fried potatoes and peppers, and fruits and cheeses and the Orgasma Omelet. Sometimes he carries a megaphone and when he calls 'Chefdaddy needs a ride' art cars within range race to pick him up.

The bar, closed on account of the bartenders' participation in a parade, opened on an emergency basis -- a Negroni shortage. As the Negronis were being mixed a Frenchman approached and asked what we were pouring. He was told, in a strong fake French accent, that the bar was closed. As he began to leave in disappointment Calico asked if he was too particular about what he drank. He said he was not. An extra glass was produced and he too savored the bitter goodness of a Negroni.

Wednesday Night.
Dancers rehearsed on the newly constructed Urban Ant Farm Stage. Campers from Mal-Mart and Pink Spot and the other camps near the Portal, burners from Abstininthe, Burntown, Amerikesh and the rest of the city gathered. They watched the opening performance of the Blackrock City Ballet. It was the most beautiful dance ever, anywhere. In the first act, the entire troupe danced furiously, interactively, with their whole bodies across the entire stage; in business attire and then in underwear.

Then there were three opera-like duets, in the first the ballerina played a rag doll, in the next a feisty broad, and in the third there was give and take between the couple. All perhaps in the style of Pilobolus. The final acts were also stunning. Particularly affecting were the seemingly endless pirouettes. The ballerinas spun around and around somehow pausing slightly when looking at us highlighting their faces, their attention seeming never to leave us.

Meandering about the Portal and enjoying a heightened state of well being we saw it -- the glowing on and off of the 90' Root Society dome. They were open. It was glorious. Even the non-dancers danced. Even the crowd avoiders drew energy from the crowd. A ring with strong dangling fabric was suspended from the roof and trapeze artists flew about. This circus act in the middle of the rave erased the lines between performers and dancers.

We walked about, to the back of the Root Society and to Gravitypoint a neighboring sound camp. People were dancing and chilling in the warm night. Further on, on the outskirts of the city we encountered a large rabble of RVs parked in a circle. In the middle, the Duck, an art car so enormous it could not be driven in. It had to be built on the playa and it seemed almost finished. Above all this floated Skyline by Robert Bose. Skyline is a kinetic balloon sculpture composed of multiple lines of helium filled balloons that reach out hundreds of feet into the sky.

Back at the yurt, we set off insanity balls in the Zen garden. They are about 4" in diameter and bounce fast emitting light and making noise.

Thursday Morning.
A ballet dancer rode a bicycle into the Portal with as much grace and beauty as he danced. He was happy and light and as willing to befriend the people he came across as any other burner.

Eris made gingeroos. Kimicat made jewelry. Tez produced three glasses of clear liquid. The bass picked up the beat. Dave hit the cymbals and called the drinking game.

"Hey, you out there in the Portal in the white.
Want to play a game?
Three glasses of liquid, Two with water, one with vodka.
Which one is which nobody knows."

A crowd gathered. Tez took the glasses away.

"I guess there isn't going to be a drinking game.
We just wanted some beautiful people in the audience."

A patron of the bar lent his Swiss Army knife to open some bottles. There was an extra bottle of pear cider which was given to him. After drinking it he exclaimed it was the best thing he had ever consumed. It should be mentioned, however, that in the interim a beautiful goddess appeared with candies on her clothing and he ate one of them. Chakra drank Grappa in the Dome.

Thursday Afternoon.
Vamp Camp decorated us with world happiness buttons. A camp near Comfort and Joy gave us rainbow colored Homo Cone snow cones. Pink Mammoth gave us high alcoholic punch.
It was not in glassware; we brought our own cups.

The Vietnamese Iced Coffee Camp had a line for what we knew by reputation was some very tasty Vietnamese Iced Coffee. One person attempted to order regular coffee. A woman in a large Vietnamese hat shuffled out and scolded him in Vietnamese for his lack of taste. It was somewhat confusing because of the language barrier, but eventually it became very clear that Vietnamese Iced Coffee is a superior beverage. She then turned to Calico, who was laughing, and, in perfect English told him something serious. They were running low on coffee; he would be last in line and it was important that he not let more people join the line. Calico passed on the bad news as pleasantly as he could to a lot of people.

Finally a person accepted that there was no more coffee but stayed at the end of the line to talk. He was so cool and demonstrated such kindness to the people around him during the wait that he was rewarded not only with coffee, as more was found, but also with a Golden Cafe medallion. The coffee itself was wonderful: iced, sweetened with condensed milk and served with love. Coffee drinkers participated by stirring their coffee with the chop stick provided.

We were in Avalon Village. We knew that because we saw the Camp Montage people erect the huge Welcome to Avalon Village gateway sign. The posts were designed to have thick rebar pounded through chambers in the base into the playa. Half a dozen people held the sign up while this was being done. On display were large prints and numerous montages, featuring art photographed on the playa from 2005-2007.

Thursday Night.
The closest playa art installation to the Portal was one of the most ingenious, Brainfire, by WesternDevil. A few hours after dark WesternDevil himself fired up the structure releasing fuel into the ceiling of a small open building. In calm conditions there is mesmerizing, creeping. undulating fire suspended all overhead. In the windy conditions there is still a partial coating of the fire just beneath the ceiling.

Also near by was the Flamethrower Shooting Gallery by Matisse Enzer. Modeled after a county fair-style shooting gallery, this provides a new twist on a long-standing American tradition and pokes gentle fun at the American fascination with firearms and personal power, as well as the Burning Man fascination with fire and radical self expression. It does this by allowing and encouraging participants to literally play with fire and shoot things.

Then, not too far out was the Temple of Community by Lancelot Smith and Rue Morgue. It was a thirty-foot-high rendition of an origami crane. On the playa, the crane symbolizes the act of letting go – of people, places, feelings, ideas – making wishes, discovering hope, finding peace, and building the wisdom, happiness and longevity of a community that is united in this experience.

Onward into the playa was Altered State by Kate Raudenbush. A symbol of the United States Capitol becomes a mirage of mythical creatures fabricated of elaborately carved white steel. Each cut is rendered in the archetypal graphic style of Pacific Northwest Coast Indian imagery. Ganesha and Domino climbed into the rotunda. Gymnasts climbed the interior swing and as intended, a government building was transformed into an Altered State.

Noticing that it was time for the second performance of the ballet we walked back toward the Urban Ant Farm stage. The Burntown American Express art car was parked in the playa and photographing the performance. Serendipitously they had room for us on their second story. We again watched in amazement, from there and from stage right. As they took their bows we went to the Golden Cafe kitchen. There we feasted on leftovers -- spicy tofu reheated with a little water.

The art car was leaving Burntown for the Temple at midnight and we went out to catch it. As we approached, we saw it start to roll. It was impossible to miss, having a bigger than human sized illuminati eye pyramid glowing atop its roof. We ran after it, but never caught it until it reached the Temple.

Burning Man is about having fun and meeting people, but it has its spiritual moments, too. Exhausted, we entered the Basura Sagrada Temple. By Shrine, Tuktuk, and the Basura Sagrada Collaboratory, Basura Sagrada was a temple constructed mainly from burnable trash and recycled materials. Meticulously detailed, the temple was a precious space created from non-precious materials, a receptacle for the hopes, dreams, memories, and elegies. The Temple was comprised of five main structures, with a group of outlying buildings growing towards a central nave clad in a series of spires that reached towards the sky. It was intended as a refuge for intrepid souls, a place where spontaneous, unmediated conversation occurs between the individual and the divine. Ghosts burned with the Temple in the white-out on Sunday.

The art car took us back to the Esplanade. Ganesha sat in front next to the driver who described the members of the ballet troupe by size, physique and hair color. We relaxed in the Home camp, and then went to Abstininthe, which also had great chill space. There Calico encountered a giant of a man who took pictures of the patrons with him by holding his camera out at the length of his long arm. He didn't want them taken any other way and doing it became something of a performance. The absinthe drinks were prepared the right way with sugar cubes on slotted spoons. The intense wormwood flavor and the legends surrounding absinthe made it something more than just alcohol. It may have been a homemade absinthe from the lesser wormwoods. It took over an hour to finish the drink, sipping it mostly at the Amerikesh Embassy party.

Somewhere along the way we golfed at Putt-Putt Playa on the Esplanade within The Fifth Dimension.

Friday Morning.
Athena treated the dishwasher to increasingly rare and delicious Scotch.

Iceman entered the bar and found it to need ice. He set out on a quest. He heard music in his head, Primus, New Orleansean Dirges, Ride of the Valkyries, Doors: "Show me the way to the next whiskey bar..." He channeled a satanic dream of a Golden Calf, Goldie covered in offerings. The idol carried aloft on a platform with interior trim and poles followed by a column of bartenders, liquor bearers, and shield bearers and a troupe of troubadours. Lucifer, Aphrodite, Thor, Ares, Marcus, Jay, Matt, Katz, Lee, Sadhu, Loki, Corinne, WiFi, Gwen, Hazbro, Petr, Elena and the rest of the Drunken People of the Golden Cafe were among them.

It was a mobile Golden Cafe in all its glory. A bull bell sounded and the shieldbearers leapt to the front of the gigantic mechanical spider. They formed their chrome and gold shields into the shape of a bar. Out came barstools and masks. A mobile kitchen of shoulder-slung camping stoves and coolers opened and fixed stir fry snacks. A mobile band with battery powered yet powerful amplification played:

"Golden Cafe has great drinks;
from a glass that really clinks.
Our mascot is a gold cow;
Drink with us and you'll say WOW!

Golden Cafe, Golden Cafe,
Nothing more to say.
7:30 Portal.
If you're lost, you'll find your way."

The dream, quest for ice and parade continued. Now with the poem written on the white board at the Apocalypse Lounge in mind:

"it's coming to america first,
cradle of the best & of the worst --
it's here they got the range,
the machinery to change

it's here they got a spiritual thirst,
here the family's broken
here the lonely say that the heart has got to open
in a fundamental way
democracy is coming to the USA"

After more adventures at Arachnophobia, Death Guild / Thunderdome and HeeBeeGeeBee Healers (this is not a direct route) the ice was obtained and on the way back he heard:

"The Golden Cafe is a bad-ass playa bar.
Oh, please ask why.
Oh, please ask why.

If you provide ice for the bar.
You'll get this copper tithe.
You'll get this copper tithe.

The Golden Cafe is a bad-ass playa bar.
We will honor you.
We will honor you."

Triumphantly he delivered the ice to the bar. He was cheered. He was not allowed to leave without drinks being made in his honor. Tez awarded him a copper medallion sliding it across the bar with a satisfying plunk.

Not only the human members of the Apocalypse Lounge but their creation, the gigantic mechanical spider dinasour tromped into the Portal. It was three years in the making and weighed 7 tons. It was two stories high. It could not turn so it continued into the Playa where it rested for some time, next to a parking meter.

Friday Afternoon.
We toured a group of 8' hexayurts at Point Being. They have ample room for 4 people and ventilation devices and solar panels can be added. Calico is building one of these next year. The Department of Public Works Parade entered the Portal. It was impressive just how many DWP people there were -- hundreds and hundreds of them. Ratchet, Heather and Evus drank Amaretto in the Dome. Rongo played the drums. Maseo danced. Thunder danced.

Drinkers passed a frozen shot of ginger liqueur. The whole thing had been frozen, the glass was thickly coated in ice.

A guest band played Grateful Dead covers. The crowd liked it, but to Domino's musical ear they were musically mediocre. Rhythm may have had a similar feeling, but he MC'd the show so graciously nobody could tell.

Tez was shaking high-end signature drinks when a small group of people nudged their way to the front of the bar with tin cups. The dishwasher set up a line of old fashioned glasses. The dishwashing tubs had been refreshed and the glasses carefully wiped, rinsed and re-rinsed. They dried in the heat without a spot on them. They sparkled. As time passed the leader of the tin cup people began to wave his cup over the bar.

Tez who had been calmly conversing with the people next to him changed into maniac personality. He turned his attention to the guy in front of him and began frenetically pouring whiskey and miscellaneous mixers into the cup. He poured from quite a height spilling a lot and yelling, "how about some of this." The group looked like veteran burners who just somehow had not been to the Golden Cafe before; otherwise, Tez wouldn't have filled a tin cup, even in this way.

"Why don't we get some of those?" the guy asked gesturing to what the other people were drinking in the bar out of glassware.

"Because," said Tez, "those go in these."

"Well then what do I got?", the guy asked.

"Its a boilermaker of some sort," said Tez returning to normal and so letting the guy know he had been as much to a show as to a bar. They shared the boilermaker in their cups, thoroughly and participatorily entertained.

Friday Night.
White Dragon Noodle Bar served stunningly delicious noodles with shiitake mushrooms. The camp took in a camper who didn't even know what the noodles were made of. He thought they were made of rice. They are, in fact, made from wheat. Maria made Matzo Ball soup and couscous for the Golden Cafe.

More art was enjoyed on a full stomach. Elevation by Michael Christian, Auriah Milanes, Scottie Chapman and David Andres. A fully climbable mountain constructed of winding tube steel ladders that elevate to a seated perch for one on its peak, at 54 feet.

Bummer, a super size Humvee measuring 38 feet long x 18 feet wide x 16 feet high. Half of the Hummer was painted in military khaki and the other half in a bright sporty color. The headlights were bright enough to bring day to night. The taillights were a shadow show.

Next, my favorite, Tantalus, this year's zoetrope project. The mechanism tells the tale of Tantalus. Tantalus stole ambrosia from the Gods. His punishment was to stand in a pool of water beneath a fruit tree with low branches. Whenever he reached for the fruit, the branches raised his intended meal from his grasp. The zoetrope is presented as a revolving Uncle Sam hat keeping an apple, or golden watch just out of reach of a strobing man's arm. Peter Hudson and crew worked tirelessly on this and finally got it working late in the week.

A Rock Opera with fireworks took place on and around the Mayan Step Pyramid. The entire Pyramid was consumed in flame that could be seen across the playa.

Does happiness come from other people, or does it come from art, sharing it being just a way of amplifying it?


Saturday Morning.
The sun rose on a crew of pirates at the top of Babylon. Knives and swords, some rope, hats, black mostly but some color and arriving in a pirate ship made them pirates. They swung on the steel beams like they were masts on a ship. The thoughts and even nature of the people, as well as who was there changed as dark turned to light. Yet they were having the time of their lives in both worlds. It was enormously invigorating.

Tiki wrote songs. Rhythm and Buffalo played them. Aphrodite made mimosas. Jay got ready for empathetic administration of psychotherapy, generally known as bartending.
Osiris started up the band. Rongo played the drums.

Saturday Afternoon.
The wind began to pick up and dust swirled around. People who tried to leave were directed back to their camps until the white-out conditions subsided. The Darkside bike ride proceeded. All in their early 20's with a cool bikes they were absolutely unafraid of the storm. Fearless.

We huddled at Pink Spot during the worst of the storm. We learned people in the camp had won an award at Sundance 2008 for Adventures of Power. It is a comedy about a mine worker who journeys across America to save his hometown. Ganesha put on ski goggles, which enabled him to take an adventurous and memorable trek through the dust storm.

Saturday Night.
The burning of the Man was officially put on hold for a while but it did get burnt. Lucifer saw it from the Portal. After the burn there was something good in the kitchen, maybe Blackened Tofu and Grilled Polenta and a Spanish Bordeaux in the Dome.

Way way out on the playa four BLM vehicles turned on their headlights near an art car. The dancing stopped. The art car megaphone chanted "fucking cop, fucking cop." The BLM left. Another art car used a megaphone to invite a 'lone walker' to come aboard 'the lovely art car.' An emissary was dispatched from the art car to the lone walker, but the lone walker stayed alone gazing at the Milky Way.

The Native American Temple also known as the Teepees burned. The Teepees convoke the divergent aspirations of conflicting societies at a moment in our collective past, when New World Manifest Destiny confronted the ancient ways of life of Native Americans. The covering of one of the Teepees was an American flag which burned with it.

Sunday Morning.
Pre dawn was peaceful inside the Emerald Portal. By Harlan Emil Gruber (AKA Awonsaihu) the Emerald Portal was originally made for Burning Man 2006. It is based on 3-dimensional sacred geometry heart chakra colors and incorporates the Quasar Wave Transducer, a subsonic nonlinear dynamic analog feedback device. It is made of specially painted plywood and has seating both within the lower area and on a raised central platform. The outline is a steel tubing version that clearly shows the geometry of the structure and can be climbed on. It catalyzes a personal connection to the Emerald within the participant's heart chakra and facilitates a connection to the Earth and Galaxy's energy bodies.

The yurt was disassembled after sunrise and some sleep.

Sunday Afternoon.
On a last stroll we received a gift of beautiful sand dollars from the Oregon coast. We put our burnables in Burn Barrels, some in a big one and some in a small one.

Exodus was slow. We hit the road about six.

This all happened, yet it was a dream. American Dream, Burning Man 2008.

Wednesday, September 03, 2008

Adventures of Power


Adventures of Power is a comedy about a mine worker named Power who journeys across America to save his hometown using his talent for air-drumming. On his journey he gathers an assortment of outcasts who believe that their obsession could change the world.

Monday, August 04, 2008

Hydrogen Economy



Fire art on the playa is often designed to awe and to overwhelm, burning industrial quantities of flammable gas. In contrast, The Hydrogen Economy is a very intimate, human-scale piece that is less about awe than about wonder.

Our goal is to create an interactive sculpture that produces hundreds of hydrogen bubbles. The bubbles explode when participants touch them with ignitor wands. These explosions happen inside a 12-foot-tall hexagonal prism acoustically designed with resonant ports that transmit deep thunderous booms outward for people to hear and feel. It is also our goal to generate a portion of hydrogen used with a visible Microbial Fuel Cell laboratory, which extends a beautiful and memorable experience into hydrogen energy concepts.

Our vision is interactive fire on a human scale. Fire you can almost touch, explosions you can feel. A double explosion of rising hydrogen bubbles ignited by dragon torches.

The mechanical elements are around the size of a person and the quantities of hydrogen that are puffed into delicate soap bubbles and then turned into fireballs are on the scale of a human breath.

What better symbol for the fleeting nature of life and art at Burning Man than a perfect sphere of liquid surrounding an explosive cocktail of hydrogen and oxygen? Two basic elements with tremendous potential energy that can only be liberated in a brief, but glorious, fiery flash.

Walking across the open playa you see a tall hexagonal sculpture and notice flash points of bright orange flame inside. As you approach, you feel low thumps of bass beat chaotically inside your chest. The thumps are in the same pattern as the flames, and the delay is shorter as you approach. Up close, you see the sculpture is a 12-foot-tall hexagonal prism, made from a clear plastic and supported by a metal skeleton. Standing near the structure are 8-foot-tall bubble wands that seem to be in the middle of a bubble being blown, yet never release - and you realize they are windsocks, swiveling to catch the breeze from any direction, their fabric made of clear plastic.

Many people are gathered watching as bubbles inside the sculpture rise into changing patterns of red-hot ignitor points suspended by thin wires from the ceiling. Some people actually have their hands in protective gloves that reach through the plastic, almost as if they were in a laboratory handling radioactive material.

They are holding magic wands with hot tips and popping the bubbles themselves. Now up close, you can feel the power of each bubble as it explodes, and you notice there are several large tubes extending from the top of the plastic sculpture. The thumping you heard from afar has become intense, and you can really feel the explosions, though they do not sound loud. Suddenly the explosions change their quality; they change from deep orange to bright white, and instead of crackling they pop with tall wispy flames.

Someone from the crowd has been turning dials and pushing buttons on a control panel attached to the sculpture. Bubbles are rising from machines at the sculpture's base and falling from ports at the top. They criss-cross through the air, bump into each other, exploding in long chains. The pattern of ignitors changes, forming a helix, then a cube, then a star. Each time the ignitors change pattern the bubbles explode in new patterns creating different fiery shapes.

It's your turn, so you place your hands into the glove ports. Now with the magic wand in your hand you can reach out and ignite the bubbles yourself, feeling even more a part of the action. Everyone is cheering you on, since it's a lot harder than it looks, but you finally just nabbed a big one causing a huge fiery boom.


Interaction Roles
The Operator:
The operator stands at the Control Panel in front of a set of buttons and valve stems. The purpose of this role is to activate and vary the sources of all the action. The operator can play games with the player by turning bubbles on in different locations, and with the crowd by varying the ignitor patterns. By changing the bubble contents from pure hydrogen to a mixture of hydrogen, propane and oxygen, the operator affects the quality of the explosions, from wispy deep orange flames to instantaneous loud pops.

The Player:
The player places their hand into a flame-proof glove through a port in the plastic enclosure. Attached to the glove is a magic wand, which is a 3-foot-long staff with an ignitor tip at the far end. The player waves the wand and chases the bubbles. When the wand's ignitor touches the bubbles they explode.

History of The Hydrogen Economy
The Hydrogen Economy has been an art installation on the playa for 4 years since 2003. In past incarnations, participants have used electric sparking wands and fire-breathing dragons, to pop hydrogen bubbles as they travel upwards. The aesthetic has been set as a fantasy swampland with lily pads, lava pits and glowing flowers.

On-playa hydrogen production
We seek to produce a portion of the hydrogen used in this art project via a microbial fuel cell following the work by Bruce Logan of the Hydrogen Energy Center at Pennsylvania State University. The fuel cell uses anaerobic bacterial processes and a small amount of electricity to offset two protons and two electrons, resulting in H2 molecules. We will only be able to generate a small percentage of the hydrogen we use, but we will make this process visible for all to see in a transparent bubbling container running all day long.